FIAC STORIES
FIAC OVR | Through the Eyes of | Emma Lavigne
This online meander through FIAC inspired the beginnings of two imaginary exhibitions. The first, Surréalité, a dreamlike interlude that could be deployed within a psychedelic fictional manor, such as Ramin Haerizadeh, Rokni Haerizadeh, and Hesam Rahmania’s castle of obsessions, haunted by Lois Weinberger’s Green Man, Apichatpong Weerasethakul’s...
FIAC PORTRAIT | Hanne Lippard
Hanne Lippard is a visual artist and writer based in Berlin, whose artistic practise focuses on human communication and language in its many forms. Hanne uses her own voice as a medium to develop performances, sound installations and sculpture. We talked about her...
PARADES FOR FIAC : LUIGIA RIVA & CLAY APENOUVON
PARADES FOR FIAC : FANNY ADLER & VINCENT MADAME
PÉTRICHOR AMOR, 2019 Since 2007, Fanny Adler and Vincent Madame have collaborated on vocal performances which they define as chanted, rhythmic and musical landscapes. Through song, they explore stylistic themes borrowed from literature or popular culture, revisiting Bernard-Marie Koltès, Jean Genet, Pierre Gicquel, Henri Michaux, Guillaume Apollinaire and Robert Kramer.“What if our desires and bodies were attracting us towards the back of a cave or to the foot of a tree rather than beneath the...
PARADES FOR FIAC : RACHID OURAMDANE
GLENN BROWN IN CONVERSATION JONAS STORSVE
G COMME GALERISTE : GALERIE 1900-2000
Marcel Fleiss of Galerie 1900-2000 talked to us about 2019 edition of FIAC, digital world and its impact on galleries and the accessibility of gallerists.
G COMME GALERISTE : JENNY’S
G COMME GALERISTE : BALICE HERTLING
INTERVIEW ESCALIER : HANS ULRICH OBRIST
BEHIND THE ARTPIECE : VIVIEN ROUBAUD
G COMME GALERISTE : Massimo Minini
Massimo Minini of Galleria Massimo Minini in Brescia talks about gallerist’s fantasies and fears and explains what makes FIAC different from other fairs.